{"id":7399,"date":"2021-06-08T17:24:29","date_gmt":"2021-06-08T16:24:29","guid":{"rendered":"https:\/\/www.studinano.com\/?page_id=7399"},"modified":"2023-03-06T18:01:45","modified_gmt":"2023-03-06T17:01:45","slug":"bibliographie","status":"publish","type":"page","link":"https:\/\/www.studinano.com\/blog\/bibliographie\/","title":{"rendered":"Bibliographie &#8211; Steampunk en Hauts-de-France : Raconter notre patrimoine industriel [Th\u00e8se en cours, Caroline Soreau, UPHF]"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Temps de lecture&nbsp;: <\/span> <span class=\"rt-time\"> 10<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span><figure id=\"attachment_7302\" aria-describedby=\"caption-attachment-7302\" style=\"width: 474px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.studinano.com\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7302\" data-permalink=\"https:\/\/www.studinano.com\/blog\/?attachment_id=7302\" data-orig-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?fit=1061%2C1500&amp;ssl=1\" data-orig-size=\"1061,1500\" data-comments-opened=\"1\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"1\"}' data-image-title=\"Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l&amp;rsquo;U-Mons (Belgique) : Steampunk en Hauts-de-France, r&eacute;enchanter notre patrimoine industriel\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l&amp;rsquo;U-Mons (Belgique) : Steampunk en Hauts-de-France, r&eacute;enchanter notre patrimoine industriel&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?fit=724%2C1024&amp;ssl=1\" class=\"size-large wp-image-7302\" src=\"https:\/\/i0.wp.com\/www.studinano.com\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01-724x1024.jpg?resize=474%2C670&#038;ssl=1\" alt=\"Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l'U-Mons (Belgique) : Steampunk en Hauts-de-France, r&eacute;enchanter notre patrimoine industriel\" width=\"474\" height=\"670\" srcset=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?resize=724%2C1024&amp;ssl=1 724w, https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?resize=212%2C300&amp;ssl=1 212w, https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?resize=768%2C1086&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2020\/05\/steampunk-studinano-dessin-creation-drawing-art-01.jpg?w=1061&amp;ssl=1 1061w\" sizes=\"auto, (max-width: 474px) 100vw, 474px\"\/><\/a><figcaption id=\"caption-attachment-7302\" class=\"wp-caption-text\">Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l&rsquo;U-Mons (Belgique) : Steampunk en Hauts-de-France, r&eacute;enchanter notre patrimoine industriel<\/figcaption><\/figure><p>&nbsp;<\/p>\n<figure id=\"attachment_7490\" aria-describedby=\"caption-attachment-7490\" style=\"width: 1070px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/studinano.com\/wp-content\/uploads\/2023\/03\/poster-steampunk-hauts-de-france-caroline-soreau-2022-light.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7490\" data-permalink=\"https:\/\/www.studinano.com\/blog\/bibliographie\/poster-steampunk-hauts-de-france-caroline-soreau-2022-light\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2023\/03\/poster-steampunk-hauts-de-france-caroline-soreau-2022-light.webp?fit=1070%2C1500&amp;ssl=1\" data-orig-size=\"1070,1500\" data-comments-opened=\"1\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"poster-steampunk-hauts-de-france-caroline-soreau-2022-light\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2023\/03\/poster-steampunk-hauts-de-france-caroline-soreau-2022-light.webp?fit=730%2C1024&amp;ssl=1\" class=\"wp-image-7490 size-full\" title=\"Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l'U-Mons (Belgique), 2022 : Carnaval des Spectres : Cr&eacute;ations Steampunks au service de la r&eacute;g&eacute;n&eacute;ration du patrimoine industriel du Bassin Minier des Hauts-de-France\" src=\"https:\/\/i0.wp.com\/studinano.com\/wp-content\/uploads\/2023\/03\/poster-steampunk-hauts-de-france-caroline-soreau-2022-light.png?resize=1070%2C1500&#038;ssl=1\" alt=\"Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l'U-Mons (Belgique), 2022 : Carnaval des Spectres : Cr&eacute;ations Steampunks au service de la r&eacute;g&eacute;n&eacute;ration du patrimoine industriel du Bassin Minier des Hauts-de-France\" width=\"1070\" height=\"1500\"\/><\/a><figcaption id=\"caption-attachment-7490\" class=\"wp-caption-text\">Poster r&eacute;alis&eacute; dans le cadre du Mardi des Chercheurs &agrave; l&rsquo;U-Mons (Belgique), 2022 : Carnaval des Spectres : Cr&eacute;ations Steampunks au service de la r&eacute;g&eacute;n&eacute;ration du patrimoine industriel du Bassin Minier des Hauts-de-France<\/figcaption><\/figure><p><iframe loading=\"lazy\" width=\"560\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/ujzDvFiaKuc?t=4s\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>(Lien : <a href=\"https:\/\/youtu.be\/ujzDvFiaKuc\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/ujzDvFiaKuc<\/a>)<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"314\" src=\"\/\/www.youtube.com\/embed\/MhXCgqNNhXo\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>(Lien : <a href=\"https:\/\/www.youtube.com\/watch?v=MhXCgqNNhXo\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.youtube.com\/watch?v=MhXCgqNNhXo<\/a>)<\/p>\n<h1>Steampunk et <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;R&eacute;trofuturisme&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;!-- wp:tadv\/classic-paragraph --&amp;gt;Le r&eacute;trofuturisme est une d&eacute;marche artistique et culturelle qui imagine ou r&eacute;imagine comment le pass&eacute; aurait envisag&eacute; le futur. Il m&eacute;lange des &eacute;l&eacute;ments de styles anciens, comme ceux de l&amp;#039;&eacute;poque victorienne ou des ann&eacute;es 1950, avec des technologies du pr&eacute;sent ou futuristes, cr&eacute;ant un contraste anachronique entre les &eacute;poques. Le r&eacute;trofuturisme se manifeste dans la mode, le design, la litt&eacute;rature, et d&amp;#039;autres formes d&amp;#039;art, en explorant des mondes o&ugrave; le futur est imagin&eacute; &agrave; travers le prisme du pass&eacute;. C&amp;#039;est par exemple le cas dans l&amp;#039;imaginaire Steampunk qui est r&eacute;trofuturiste.&amp;lt;br\/&amp;gt;&amp;lt;!-- \/wp:tadv\/classic-paragraph --&amp;gt;&lt;\/div&gt;\"  href=\"https:\/\/www.studinano.com\/blog\/glossary\/retrofuturisme\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]'  tabindex='0' role='link'>R&eacute;trofuturisme<\/a>(s)<\/h1>\n<p>Etienne BARILLIER, Arthur MORGAN, <em>Le Guide Steampunk<\/em>, Paris, ActuSF, coll. &laquo; Les trois souhaits &raquo;, 2013.<br>\n&Eacute;tienne BARILLIER et Rapha&euml;l COLSON, <em>Tout le Steampunk !<\/em>, Mont&eacute;limar, Les Moutons Electriques, 2014.<br>\nC&eacute;dric CARLES, Thomas ORTIZ et Eric DUSSERT, <em>R&eacute;trofutur, Une contre-histoire des innovations &eacute;nerg&eacute;tiques<\/em>, Paris, Buchet\/Chastel, 2018.<br>\nS.J. CHAMBERS, Jeff VANDERMEER, <em>The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature<\/em>, New-York, Abrams, 2011.<br>\nRapha&euml;l COLSON, <em>R&eacute;tro-futur<\/em>, Paris, Moutons Electriques, coll. &laquo; Biblioth&egrave;que des miroirs &raquo;, 2012.<br>\nGuy COSTES et Joseph ALTAIRAC, <em>R&eacute;trofictions : Encyclop&eacute;die de la conjecture romanesque rationnelle francophone, de Rabelais &agrave; Barjavel, 1532-1951<\/em>, Paris, Les Belles Lettres, coll. &laquo; Encrage &raquo;, 2018.<br>\nGuy COSTES, Joseph ALTAIRAC, <em>R&eacute;trofictions: Encyclop&eacute;die de la conjecture romanesque rationnelle francophone, de Rabelais &agrave; Barjavel, 1532-1951<\/em>, Paris, Les Belles Lettres, coll. &laquo; Encrage &raquo;, 2018.<br>\nJean-Jacques GIRARDOT, Fabrice MERESTE, &laquo; Le Steampunk : une machine litt&eacute;raire &agrave; recycler le pass&eacute; &raquo;, <em>Cycnos<\/em>, vol. 22.1 (<em>La science-fiction dans l&rsquo;histoire, l&rsquo;histoire dans la science-fiction<\/em>), 2005, (Disponible en ligne depuis novembre 200, URL : <a href=\"http:\/\/epi-revel.univ-cotedazur.fr\/publication\/item\/612\" target=\"_blank\" rel=\"noopener noreferrer\"><u>http:\/\/epi-revel.univ-cotedazur.fr\/publication\/item\/612<\/u><\/a>)<br>\nDenis MELLIER, &laquo; Une grande biblioth&egrave;que de crimes : rouages et poulies du Steampunk &raquo;, dans <em>Crimes et d&eacute;lits, Colloques des Invalides<\/em>, pp.9-13, 2012. (Disponible en ligne depuis 2018, URL : <a href=\"https:\/\/hal.archives-ouvertes.fr\/hal-01818072\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/hal.archives-ouvertes.fr\/hal-01818072<\/a>).<br>\nDavid PEYRON, <em>La Culture Steampunk<\/em>, en deux parties disponibles en ligne sur le blog de David Peyron, 2014. (URL consult&eacute;e le 12\/08\/2018 : <a href=\"https:\/\/davidpeyron.wordpress.com\/2014\/10\/27\/la-culture-steampunk-partie-1\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/davidpeyron.wordpress.com\/2014\/10\/27\/la-culture-steampunk-partie-1\/<\/a>).<\/p>\n<h1>Science-Fiction<\/h1>\n<p>Simon BREAN, <em>La Science-Fiction en France : Th&eacute;orie et histoire d&rsquo;une litt&eacute;rature<\/em>, Paris, Presses Universitaire Paris-Sorbonne, coll. &laquo; Lettres fran&ccedil;aises &raquo;, 2012.<br>\nGuy HALEY, <em>Les Chroniques de la Science-Fiction<\/em>, Paris, Gl&eacute;nat, coll. &laquo; Over the Pop &raquo;, 2016.<br>\nFredric JAMESON, <em>Arch&eacute;ologies du futur, Le d&eacute;sir nomm&eacute; utopie<\/em>, Paris, Max Milo, coll. &laquo; L&rsquo;Inconnue &raquo;, 2007.<br>\nFredric JAMESON, <em>Penser la science-fiction<\/em>, Paris, Max Milo, coll. &laquo; L&rsquo;Inconnu &raquo;, 2008.<br>\nIr&egrave;ne LANGLET, <em>La Science-Fiction : Lecture et po&eacute;tique d&rsquo;un genre litt&eacute;raire<\/em>, Paris, Armand Colin, 2006.<br>\nUrsula K. LE GUIN, <em>Le Langage de la nuit : Essais sur la Science-Fiction et la Fantasy<\/em>, Paris, Aux Forges de Vulcain, coll. &laquo; Essais &raquo;, 2016.<br>\nAlain MUSSET, <em>Station M&eacute;tropolis, Direction Coruscant : Ville, Science-Fiction et Sciences Sociales<\/em>, Saint Mamm&egrave;s, Le B&eacute;lial&rsquo;, coll. &laquo; Parallaxe &raquo;, 2019.<br>\nDavid PEYRON<em>, Culture Geek<\/em>, Mercu&egrave;s, FYP Editions, coll. &laquo; Innovation &raquo;, 2013.<br>\nPierre VERSIN, <em>Encyclop&eacute;die de l&rsquo;utopie, des voyages extraordinaires et de la science-fiction<\/em>, Lausanne, L&rsquo;&Acirc;ge d&rsquo;Homme, 1972.<\/p>\n<h1>Merveilleux-Scientifique<\/h1>\n<p>Daniel COMPERE et Arnaud HUFTIER (dir.), <em>Les Contemporains de Jules Verne : Aux fronti&egrave;res de la l&eacute;gitimation litt&eacute;raire<\/em>, dans <em>Lez Valenciennes<\/em>, n&deg;40, Valenciennes, Presses Universitaires de Valenciennes, 2007.<br>\nSandrine DORE, <em>De jadis a demain, voyage dans l&rsquo;&oelig;uvre d&rsquo;Albert Robida<\/em>, Milan, Silvana Editoriale, 2016.<br>\nMarie-Luise KOHLKE, &laquo; Introduction: Speculations In and On the Victorian Encounter &raquo;, dans <em>Neo-Victorian Studies 1:1<\/em>, Automne 2008. (URL, consult&eacute;e le 12\/08\/2019 : <a href=\"http:\/\/www.neovictorianstudies.com\/past_issues\/Autumn2008\/NVS%201-1%20M-Kohlke.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.neovictorianstudies.com\/past_issues\/Autumn2008\/NVS%201-1%20M-Kohlke.pdf<\/a>).<br>\nJacques NOIRAY, <em>Le Romancier et la Machine, L&rsquo;image de la machine dans le roman fran&ccedil;ais (1850-1900) II : Jules Verne &ndash; Villiers de L&rsquo;Isle-Adam<\/em>, Paris, Jos&eacute; Corti, coll. &laquo; J. Corti Ess. &raquo;, 1989.<br>\nDavid PEYRON<em>, Culture Geek<\/em>, Mercu&egrave;s, FYP Editions, coll. &laquo; Innovation &raquo;, 2013.<br>\nGuillemette RACINE,<em> Quand nos grands-p&egrave;res imaginaient l&rsquo;an 2000<\/em>, Paris, Nathan, 1991.<br>\nMaurice RENARD, <em>&laquo; Du roman merveilleux-scientifique et de son action sur l&rsquo;intelligence du progr&egrave;s &raquo;<\/em>, dans Le Spectateur, 1909.<br>\nPierre VERSIN, <em>Encyclop&eacute;die de l&rsquo;utopie, des voyages extraordinaires et de la science-fiction<\/em>, Lausanne, L&rsquo;&Acirc;ge d&rsquo;Homme, 1972.<\/p>\n<h1>Fantasy<\/h1>\n<p>Anne BESSON, <em>Dictionnaire de la fantasy<\/em>, Paris, Editions Vend&eacute;miaire, 2018.<br>\nAnne BESSON (dir.), <em>Fantasy &amp; Histoire(s), Actes du colloque des Imaginales 2018<\/em>, Chamb&eacute;ry, ActuSF, 2019.<br>\nUrsula K. LE GUIN, <em>Le Langage de la nuit : Essais sur la Science-Fiction et la Fantasy<\/em>, Paris, Aux Forges de Vulcain, coll. &laquo; Essais &raquo;, 2016.<br>\nPierre VERSIN, <em>Encyclop&eacute;die de l&rsquo;utopie, des voyages extraordinaires et de la science-fiction<\/em>, Lausanne, L&rsquo;&Acirc;ge d&rsquo;Homme, 1972.<\/p>\n<h1>Litt&eacute;rature<\/h1>\n<p>Ren&eacute; AUDET et Richard SAINT-GELAIS (dir.), <em>La fiction, suites et variations<\/em>, Montr&eacute;al, Editions Nota Bene, 2007.<br>\nBertrand CAMPEIS, Karine GOBLED, <em>Le guide de l&rsquo;<a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;Uchronie&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;!-- wp:paragraph --&amp;gt;Le mot &laquo; uchronie &raquo; trouve son origine &eacute;tymologique dans la fusion du pr&eacute;fixe &laquo; u &raquo; (issu de la particule grecque &laquo; ou &raquo; signifiant &laquo; non &raquo;) avec le terme &laquo; chronos &raquo; signifiant &laquo; temps &raquo;. Cette combinaison de la n&eacute;gation et du suffixe temporel donne lieu &agrave; l&amp;#039;id&eacute;e d&amp;#039;un &laquo; non-temps &raquo; ou, pour le dire autrement, un temps qui n&amp;#039;a pas d&amp;#039;existence r&eacute;elle. Apparu au XIX&egrave;me si&egrave;cle, ce n&eacute;ologisme a &eacute;t&eacute; introduit par le philosophe fran&ccedil;ais Charles Renouvier. Il a initialement utilis&eacute; ce terme pour intituler son ouvrage paru en 1876, &laquo; &amp;lt;em&amp;gt;Uchronie : l&rsquo;utopie dans l&rsquo;histoire - Esquisse historique apocryphe du d&eacute;veloppement de la civilisation europ&eacute;enne tel qu&rsquo;il n&rsquo;a pas &eacute;t&eacute;, tel qu&rsquo;il aurait pu &ecirc;tre&amp;lt;\/em&amp;gt; &raquo;.&amp;lt;br\/&amp;gt;&amp;lt;!-- \/wp:paragraph --&amp;gt;&lt;\/div&gt;\"  href=\"https:\/\/www.studinano.com\/blog\/glossary\/uchronie\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]'  tabindex='0' role='link'>uchronie<\/a><\/em>, Paris, ActuSF, coll. &laquo; Les trois souhaits &raquo;, 2015.<br>\nUmberto ECO, De Superman au Surhomme, Paris, Le Livre de Poche, coll. &laquo; Biblio Essais &raquo;, 1995.<br>\nG&eacute;rard GENETTE, <em>Palimpsestes : La litt&eacute;rature au second degr&eacute;<\/em>, Paris, Seuil, coll. &laquo; Points essais &raquo;, 1992.<br>\nPierre VERSIN, <em>Encyclop&eacute;die de l&rsquo;utopie, des voyages extraordinaires et de la science-fiction<\/em>, Lausanne, L&rsquo;&Acirc;ge d&rsquo;Homme, 1972.<\/p>\n<h1>Livres d&rsquo;art, Livres d&rsquo;artistes, Catalogues d&rsquo;expositions et d&rsquo;&oelig;uvres<\/h1>\n<p>Thierry BELLEFROID, <em>Fran&ccedil;ois Schuiten, l&rsquo;horloger du r&ecirc;ve<\/em>, Tournai, Casterman, coll. &laquo; Schuiten\/Pett &raquo;, 2013.<br>\nEnki BILAL, <em>M&eacute;canhumanimal : Au Mus&eacute;e des arts et m&eacute;tiers<\/em>, Tournai, Casterman, coll. &laquo; Bilal &raquo;, 2013.<br>\nFran&ccedil;ois DELAROZIERE, <em>Carnets de croquis &amp; r&eacute;alisations<\/em>, Paris, Actes Sud, coll. &laquo; Textes de Theat &raquo;, 2010.<br>\nFran&ccedil;ois DELAROZIERE, <em>Bestiaire, machine et ornements<\/em>, Paris, Actes Sud, coll. &laquo; La Machine &raquo;, 2015.<br>\nDidier GRAFFET et Xavier MAUMEJEAN, <em>Steampunk : De vapeur et d&rsquo;acier<\/em>, Paris, Le Pr&eacute; aux Clercs, 2013.<br>\nDidier GRAFFET et Xavier MAUMEJEAN, <em>Effluvium<\/em>, Paris, Bragelonne, 2019.<br>\nOdile QUIROT et Jean-Luc COURCOULT, <em>Royal de Luxe : 2001-2011<\/em>, Paris, Actes Sud, coll. &laquo; Beaux Livres &raquo;, 2011.<br>\nDr. GRYMM, <em>1,000 Steampunk Creations<\/em>, Bloomington (Etats-Unis), Quarry Books, 2011.<br>\nFran&ccedil;ois SCHUITEN et Benoit Peeters<em>, Revoir Paris, Int&eacute;grale<\/em>, Tournai, Casterman, 2018.<br>\nJeff VANDERMEER, <em>Le manuel Steampunk<\/em>, Paris, Bragelonne, 2016.<\/p>\n<h1>Romans<\/h1>\n<p>Etienne BARILLIER et C&eacute;cile DUQUENNE, <em>Les Brigades du Steam<\/em>, Paris, ActuSF, 2019.<br>\nStephen BAXTER, <em>Anti-glace<\/em>, Moret-Loing-et-Orvanne, Le B&eacute;lial, 2014. (Date de publication originale : 1993)<br>\nJames BLAYLOCK, <em>Homunculus<\/em>, Paris, Bragelonne, 2016.<br>\nEdward CAREY, <em>Le ch&acirc;teau: Les Ferrailleurs<\/em>, Paris, Grasset, 2015.<br>\nFabrice COLIN, Mathieu GABORIT, <em>Confessions d&rsquo;un automate mangeur d&rsquo;opium<\/em>, Paris, Le Serpent &agrave; plumes, coll. &laquo; Motifs &raquo;, 2003.<br>\nChristelle DABOS, <em>La Passe-miroir, Les Fianc&eacute;s de l&rsquo;hiver (Tome 1)<\/em>, Paris, Gallimard Jeunesse, 2013.<br>\nThomas DAY, <em>L&rsquo;automate de Nuremberg<\/em>, Paris, Folio, 2008.<br>\nLaure DARGELOS, <em>Les Oubli&eacute;s d&rsquo;Astrelune<\/em>, Paris, Explora, 2022. (Date de publication originale : 2021)<br>\nPaul DI FILIPPO, <em>La Trilogie Steampunk<\/em>, Paris, Bragelonne, 2017.<br>\nWilliam GIBSON et Bruce STERLING, <em>La Machine &agrave; Diff&eacute;rences<\/em>, Paris, Livre de Poche, 2001.<br>\nJohan HELIOT, Etienne BARILLIER (pr&eacute;f.), <em>La Trilogie de la Lune<\/em>, Edition int&eacute;grale, Paris, Editions Mn&eacute;mos, coll. &laquo; D&eacute;dales &raquo;, 2011.<br>\nMark HODDER, <em>Burton &amp; Swinburne, L&rsquo;&Eacute;trange affaire de Spring Heeled Jack<\/em>, Paris, Bragelonne, coll. &laquo;&nbsp;Steampunk&nbsp;&raquo;, 2013.<br>\nMark HODDER, <em>Burton &amp; Swinburne, L&rsquo;&Eacute;trange cas de l&rsquo;homme m&eacute;canique<\/em>, Paris, Bragelonne, coll. &laquo;&nbsp;Steampunk&nbsp;&raquo;, 2015.<br>\nAriel HOLZL, <em>Pax Automata<\/em>, Paris, Editions de Lodi, 2022.<br>\nK.W. JETER, <em>Machines infernales<\/em>, Paris, J&rsquo;ai lu, 1999.<br>\nJames LOVEGROVE, <em>Les Dossiers Cthulhu : Sherlock Holmes et les ombres de Shadwell<\/em>, Paris, Bragelonne, 2018<br>\nXavier MAUMEJEAN, <em>La V&eacute;nus Anatomique<\/em>, Paris, Le Livre de Poche, coll. &laquo; Science-Fiction &raquo;, 2006.<br>\nKim NEWMAN, <em>Anno Dracula (Tome 1)<\/em>, Paris, Bragelonne, coll. &laquo;&nbsp;Fantastique&nbsp;&raquo;, 2012.<br>\nJustine NIOGRET, <em>Coeurs de Rouille<\/em>, Paris, Le Pr&eacute; aux Clercs, coll. &laquo;&nbsp;Pandore&nbsp;&raquo;, 2013.<br>\nTim POWERS, <em>Les Voies d&rsquo;Anubis<\/em>, Paris, Bragelonne, coll. &laquo; Steampunk &raquo;, 2013.<br>\nPierre PEVEL, <em>Le Paris des Merveilles &ndash; L&rsquo;int&eacute;grale<\/em>, Paris, Bragelonne, 2018.<br>\nAlbert ROBIDA, <em>Voyage de Fian&ccedil;ailles au XXe si&egrave;cle<\/em>, Paris, Librairie L. Conquet, 1892.<br>\nRod REES, <em>Le demi-monde : Hiver<\/em>, Paris, J&rsquo;ai lu : Librio, coll. &laquo; Nouveaux Mill&eacute;naires &raquo;, 2013.<br>\nPhilip REEVE, <em>M&eacute;caniques Fatales<\/em>, Paris, Hachette, 2003.<br>\nEkaterina SEDIA, <em>L&rsquo;Alchimie de la Pierre<\/em>, Moret-Loing-et-Orvanne, Le B&eacute;lial, 2017. (Date de publication originale : 2008)<br>\nBrian SELZNICK, <em>L&rsquo;Invention de Hugo Cabret<\/em>, Paris, Bayard Jeunesse, 2008.<br>\nFloriane SOULAS, <em>Rouille<\/em>, Paris, Scrineo, 2018.<br>\nJack VANCE,<em> Le Dernier Ch&acirc;teau<\/em>, Moret-Loing-et-Orvanne, Le B&eacute;lial, 2013. (Date de publication originale : 1966)<br>\nJules VERNE, <em>Paris au XXe si&egrave;cle<\/em>, Paris, Livre de Poche, 2002.<br>\nJules VERNE, <em>Vingt Mille Lieues sous les Mers<\/em>, Paris, Librairie G&eacute;n&eacute;rale Fran&ccedil;aise, coll. &laquo; Le Livre de Poche &raquo;, 2001.<br>\nDiana WYNNE JONES, <em>Le Ch&acirc;teau de Hurle<\/em> (<em>Howl&rsquo;s Moving Castle<\/em>, 1986), Paris, Ynnis Editions, 2020.<\/p>\n<h1>Bandes dessin&eacute;es, romans graphiques et manga<\/h1>\n<p>Rapha&euml;l ALBERT, Jeanne-A DEBATS, Johan HELIOT, Rapha&euml;l GRANIER DE CASSAGNAC, Nicolas FRUCTUS, <em>Un an dans les airs : Voyage extraordinaire dans la cit&eacute; volante d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre de Jules Verne<\/em>, Paris, Editions Mn&eacute;mos, coll. &laquo; Ourobores &raquo;, 2013.<br>\nAlex ALICE, <em>Le ch&acirc;teau des &eacute;toiles<\/em>, Paris, Editions Rue de S&egrave;vres, 2014-2017.<br>\nJoe BENITEZ, Peter STEIGERWALD, <em>Lady Mechanika, Le myst&egrave;re du corps m&eacute;canique (Tome 1)<\/em>, Paris, Gl&eacute;nat, coll. &laquo;&nbsp;Comics&nbsp;&raquo;, 2016.<br>\nFred Duval, Thierry Gioux, <em>Hauteville House : Zelda (tome 1)<\/em>, Paris, Delcourt, coll. &laquo; Conquistador &raquo;, 2004.<br>\nMathieu GABELLA, Anthony JEAN, <em>La Licorne : Le Dernier Temple d&rsquo;Ascl&eacute;pios (Tome 1)<\/em>, Paris, Delcourt, 2006.<br>\nKUROIMORI, <em>Steam Reverie in Amber<\/em>, Paris, NOEVE GRAFX, 2022.<br>\nBastien LECOUFFE DEHARME, <em>Memories of Retrocity<\/em>, Paris, Editions du Riez, 2011.<br>\nSerge LEHMAN, Fabrice COLIN, Gess, C&eacute;line Bessonneau, <em>La Brigade Chim&eacute;rique, L&rsquo;int&eacute;grale<\/em>, Paris, L&rsquo;Atalante, coll. &laquo; Bandes dessin&eacute;es &raquo;, 2012.<br>\nJ&eacute;r&ocirc;me NOIREZ, Aur&eacute;lien POLICE, <em>Europole : Guide de R&eacute;sistance dans la Titanopole <a class=\"glossaryLink\"  aria-describedby=\"tt\"  data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;R&eacute;trofuturiste&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;!-- wp:tadv\/classic-paragraph --&amp;gt;Le r&eacute;trofuturisme est une d&eacute;marche artistique et culturelle qui imagine ou r&eacute;imagine comment le pass&eacute; aurait envisag&eacute; le futur. Il m&eacute;lange des &eacute;l&eacute;ments de styles anciens, comme ceux de l&amp;#039;&eacute;poque victorienne ou des ann&eacute;es 1950, avec des technologies du pr&eacute;sent ou futuristes, cr&eacute;ant un contraste anachronique entre les &eacute;poques. Le r&eacute;trofuturisme se manifeste dans la mode, le design, la litt&eacute;rature, et d&amp;#039;autres formes d&amp;#039;art, en explorant des mondes o&ugrave; le futur est imagin&eacute; &agrave; travers le prisme du pass&eacute;. C&amp;#039;est par exemple le cas dans l&amp;#039;imaginaire Steampunk qui est r&eacute;trofuturiste.&amp;lt;br\/&amp;gt;&amp;lt;!-- \/wp:tadv\/classic-paragraph --&amp;gt;&lt;\/div&gt;\"  href=\"https:\/\/www.studinano.com\/blog\/glossary\/retrofuturiste\/\"  data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]'  tabindex='0' role='link'>R&eacute;trofuturiste<\/a><\/em>, Paris, Mn&eacute;mos, coll. &laquo; Ourobores &raquo;, 2013.<br>\nCarlos PUERTA et Esther GIL, <em>Jules Verne et l&rsquo;astrolabe d&rsquo;Uranie &ndash; L&rsquo;Int&eacute;grale<\/em>, Roubaix, Ankama, coll. &laquo;&nbsp;Jules Verne&nbsp;&raquo;, 2019.<\/p>\n<h1>Filmographie<\/h1>\n<p>Shane ACKER, <em>Num&eacute;ro 9<\/em>, Film d&rsquo;animation, Etats-Unis, 2009<br>\nSt&eacute;phane BERLA et Mathias MALZIEU, <em>Jack et la m&eacute;canique du C&oelig;ur<\/em>, Film d&rsquo;animation, France, 2014<br>\nLuc BESSON d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre originale de Jacques TARDI, <em>Les Aventures extraordinaires d&rsquo;Ad&egrave;le Blanc-Sec<\/em>, Film d&rsquo;aventure, d&rsquo;action et fantastique, France, 2010<br>\nKerry CONRAN, <em>Capitaine Sky et le monde de demain<\/em>, Film de science-fiction, Angleterre, Etats-Unis, Italie, 2004<br>\nGuillermo DEL TORO, <em>Hellboy<\/em>, Film d&rsquo;action et Fantasy, Etats-Unis, 2003<br>\nChristian DESMARES, Franck EKINCI d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre originale de Jacques TARDI, <em>Avril et le Monde truqu&eacute;<\/em>, Film d&rsquo;animation, France, 2015<br>\nRichard FLEISCHER d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre originale de Jules VERNE, <em>Vingt Mille Lieues sous les mers<\/em>, Film d&rsquo;action et de science-fiction, Etats-Unis, 1955<br>\nJean-Pierre JEUNET, Marc CARO, <em>La Cit&eacute; des enfants perdus<\/em>, Film de science-fiction et de Fantasy, France, 1995<br>\nGil KENAN d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre originale de Jeanne DUPRAU, <em>La cit&eacute; de l&rsquo;ombre<\/em>, Film d&rsquo;aventure, de science-fiction et de Fantasy, Etats-Unis, 2008<br>\nHayao MIYAZAKI, <em>Le Ch&acirc;teau Ambulant<\/em>, Film d&rsquo;animation, Japon, 2004<br>\nHayao MIYAZAKI, <em>Le Ch&acirc;teau dans le ciel<\/em>, Film d&rsquo;animation, Japon, 1986<br>\nHayao MIYAZAKI, <em>Nausicaa et la Vall&eacute;e du Vent<\/em>, Film d&rsquo;animation, Japon, 1984<br>\nJohn MUSKER, Ron CLEMENTS, <em>La Plan&egrave;te au tr&eacute;sor : Un nouvel univers<\/em>, Film d&rsquo;animation, Etats-Unis, 2002<br>\nStephen NORRINGTON, <em>La Ligue des gentlemen extraordinaires<\/em>, Film d&rsquo;action et de Fantasy, Etats-Unis, 2003<br>\nKatsuhiro &#332;TOMO, <em>Steamboy<\/em>, Film d&rsquo;animation, Japon, 2004<br>\nGuy Ritchie, <em>Sherlock Holmes<\/em>, Film d&rsquo;action, myst&egrave;re, aventure, fantastique, &nbsp;Etats-Unis, 2010<br>\nGuy RITCHIE, <em>Sherlock Holmes : Jeu d&rsquo;ombres<\/em>, Film d&rsquo;action, myst&egrave;re, aventure, fantastique, Etats-Unis, 2012<br>\nChristian RIVERS, <em>Mortal Engines<\/em>, Film, Etats-Unis, 2018.<br>\nMartin SCORSESE, <em>Hugo Cabret<\/em>, Film d&rsquo;aventure fantastique, Etats-Unis, 2011<br>\nBarry SONNENFELD, <em>Wild Wild West<\/em>, Film d&rsquo;action, western fantastique, Etats-Unis, 1999<br>\nAndrew STANTON, <em>Wall-E<\/em>, Film d&rsquo;animation, Etats-Unis, 2008<br>\nYasuhiro YOSHIURA, <em>Pat&eacute;ma et le monde invers&eacute;<\/em>, Film d&rsquo;animation, Japon, 2013.<br>\nKirk WISE, Gary TROUSDALE, <em>Atlantide, l&rsquo;empire perdu<\/em>, Film d&rsquo;animation, Etats-Unis, 2001<br>\nLaurent WITZ, Alexandre ESPIGARES, <em>Mr Hublot<\/em>, Film d&rsquo;animation, France, Luxembourg, 2013<\/p>\n<h1>S&eacute;ries<\/h1>\n<p>Gideon AMIR, <em>Carnival Row<\/em>, S&eacute;rie de Science-Fiction et Fantasy, Etats-Unis, Premier &eacute;pisode : 30 ao&ucirc;t 2019<br>\nBBC, <em>Doctor Who<\/em>, S&eacute;rie de science-fiction fantastique, Royaume-Uni, depuis le 23 novembre 1963<br>\nMichael DANTE DIMARTINO et Bryan KONIETZKO, <em>La L&eacute;gende de Korra<\/em>, S&eacute;rie d&rsquo;animation, Etats-Unis, le 14 avril 2012 &ndash; 19 d&eacute;cembre 2014<br>\nJane ESPENSON et D. BRENT MOTE, <em>Warehouse 13<\/em>, S&eacute;rie de science-fiction fantastique, Etats-Unis, 7 juillet 2009 &ndash; 19 mai 2014<br>\nYasuhiro IRIE d&rsquo;apr&egrave;s le manga d&rsquo;Hiromu ARAKAWA, <em>Fullmetal Alchemist: Brotherhood<\/em>, s&eacute;rie d&rsquo;animation, Japon, 5 avril 2009 &ndash; 4 juillet 2010<br>\nMaureen JENNINGS, <em>Les Enqu&ecirc;tes de Murdoch<\/em>, s&eacute;rie t&eacute;l&eacute;vis&eacute;e polici&egrave;re et de science-fiction, Canada, depuis le 20 janvier 2008<br>\nChristian LINKE, Alex YEE, <em>Arcane<\/em>, S&eacute;rie d&rsquo;animation, France et Etats-Unis, 2021<br>\nLeonard KATZMAN, Philip LEACOCK, Richard H. LANDAU, <em>Les Myst&egrave;res de l&rsquo;Ouest<\/em>, S&eacute;rie d&rsquo;action, western fantastique, Etats-Unis, 17 septembre 1965 &ndash; 4 avril 1969<br>\nNew Line Cinema, Bad Wolf, HBO, d&rsquo;apr&egrave;s l&rsquo;&oelig;uvre originale de Philip PULLMAN, <em>His Dark Materials : &Agrave; la crois&eacute;e des mondes<\/em>, S&eacute;rie de science-fiction et Fantasy, Royaume-Uni, 3 novembre 2019 &ndash; 26 d&eacute;cembre 2022<\/p>\n<figure id=\"attachment_7504\" aria-describedby=\"caption-attachment-7504\" style=\"width: 731px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/studinano.com\/wp-content\/uploads\/2023\/03\/films-series-jeux-video-steampunk.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"7504\" data-permalink=\"https:\/\/www.studinano.com\/blog\/bibliographie\/films-series-jeux-video-steampunk\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2023\/03\/films-series-jeux-video-steampunk.webp?fit=731%2C1500&amp;ssl=1\" data-orig-size=\"731,1500\" data-comments-opened=\"1\" data-image-meta='{\"aperture\":\"0\",\"credit\":\"\",\"camera\":\"\",\"caption\":\"\",\"created_timestamp\":\"0\",\"copyright\":\"\",\"focal_length\":\"0\",\"iso\":\"0\",\"shutter_speed\":\"0\",\"title\":\"\",\"orientation\":\"0\"}' data-image-title=\"films-series-jeux-video-steampunk\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.studinano.com\/blog\/wp-content\/uploads\/2023\/03\/films-series-jeux-video-steampunk.webp?fit=499%2C1024&amp;ssl=1\" class=\"wp-image-7504 size-full\" src=\"https:\/\/i0.wp.com\/studinano.com\/wp-content\/uploads\/2023\/03\/films-series-jeux-video-steampunk.png?resize=731%2C1500&#038;ssl=1\" alt=\"Petite s&eacute;lection d'oeuvres Steampunk en image : romans, films, dessins anim&eacute;s, s&eacute;ries, jeux vid&eacute;o...\" width=\"731\" height=\"1500\"\/><\/a><figcaption id=\"caption-attachment-7504\" class=\"wp-caption-text\">Petite s&eacute;lection d&rsquo;oeuvres Steampunk en image : romans, films, dessins anim&eacute;s, s&eacute;ries, jeux vid&eacute;o&hellip;<\/figcaption><\/figure><h1>Hauts-de-France &ndash; Nord &ndash; Hainaut-Cambraisie<\/h1>\n<p>Samuel-Henri BERTHOUD, <em>Les l&eacute;gendes du Nord et du Pas-de-Calais<\/em>, Romorantin, CPE Editions, 2015.<br>\nBernard COUSSEE, <em>Les Myst&egrave;res du Nord-Pas-de-Calais : Histoires insolites, &eacute;tranges, criminelles et extraordinaires<\/em>, Romagnat, De Bor&eacute;e, 2006.<br>\nChristian DEFEBVRE, <em>Le Nord-Pas-de-Calais, Des origines &agrave; nos jours<\/em>, Rennes, Ouest-France, coll. &laquo; Histoire des provinces &raquo;, 2013.<br>\nGeoffroy DEFFRENNES et S&eacute;bastien JARRY, <em>Le Bassin minier du Nord-Pas-de-Calais<\/em>, Rennes, Ouest-France, coll. &laquo; Itin&eacute;raires de d&eacute;couvertes &raquo;, 2008.<br>\nV&eacute;ra DUPUIS<em>, Empreintes et m&eacute;tamorphoses : Le Bassin minier Nord-Pas de Calais<\/em>, Rennes, Ouest-France, coll. &laquo; Beaux Livres &raquo;, 2008.<br>\nFrancis DUDZINSKI, <em>Denain, Histoire d&rsquo;un bassin industriel<\/em>, Tours, Nouvelles Editions Sutton, coll. &laquo; Provinces mosa&iuml;que &raquo;, 2018.<br>\nJean-Louis FOURNIER, <em>Dictionnaire amoureux du Nord<\/em>, Paris, Plon, coll. &laquo; Dictionnaire amoureux &raquo;, 2018.<br>\nAlexandre LENOIR, <em>Guide secret du Nord Pas-de-Calais<\/em>, Rennes, Ed. Ouest-France, 2015.<br>\nJacques MESSIANT, Philippe DUPUICH, <em>Lieux myst&eacute;rieux et traditions insolites dans le Nord-Pas-de-Calais, <\/em>Rennes, Ouest-France, coll. &laquo; Itin&eacute;raires de d&eacute;couvertes &raquo;, 2009.<br>\nLudivine SEULIN, &laquo;&nbsp;L&rsquo;identit&eacute; territoriale pour moteur touristique&nbsp;&raquo;, <em>Espaces<\/em>, Hors-s&eacute;rie (<em>La valeur territoriale : capitaliser sur les singularit&eacute;s<\/em>), janvier 2023, pp.16-19.<\/p>\n<h1>Patrimoine &ndash; Patrimoine industriel<\/h1>\n<p>Louis BERGERON, Gracia DOREL-FERRE, <em>Le patrimoine industriel : Un nouveau territoire<\/em>, Paris, Liris, 1996.<br>\nBernard BILLAUDOT, &laquo; &Agrave; propos de deux questions concernant le concept de patrimoine : de quels &eacute;l&eacute;ments se compose un patrimoine et quels en sont les titulaires possibles ? &raquo;, dans <em>G&eacute;ographie, &Eacute;conomie, Soci&eacute;t&eacute;<\/em>, vol. 6, 2004.<br>\nCatherine CHOMARAT-RUIZ (dir.), <em>Paysage en projets<\/em>, Valenciennes, Presses Universitaires de Valenciennes, coll. &laquo; Europe(s) &raquo;, 2016.<br>\nLucas DEL BIONDO, Simon EDELBLUTTE, &laquo; Le paysage des anciennes villes-usines europ&eacute;ennes : un nouveau patrimoine entre n&eacute;gation, alibi, reconnaissance et complexit&eacute; des jeux d&rsquo;acteurs &raquo;, dans <em>Annales de g&eacute;ographie<\/em>, 2016\/5 (N&deg; 711), p. 466-489. (URL, consult&eacute;e le 14\/08\/2019 : <a href=\"https:\/\/www.cairn.info\/revue-annales-de-geographie-2016-5-page-466.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><u>https:\/\/www.cairn.info\/revue-annales-de-geographie-2016-5-page-466.htm<\/u><\/a>).<br>\nMaria GRAVARI-BARBAS (dir.), <em>Habiter le patrimoine : Enjeux, approches, v&eacute;cu<\/em>, Rennes, Presses Universitaires, coll. &laquo; G&eacute;ographie sociale &raquo;, 2005.<br>\nSimon EDELBLUTTE, &laquo; Paysages et territoires du patrimoine industriel au Royaume-Uni &raquo;, dans <em>Revue G&eacute;ographique de l&rsquo;Est<\/em> [En ligne], vol. 48 \/ 1-2, 2008, mis en ligne le 08 octobre 2011. (URL, consult&eacute;e le 14\/08\/2019 : <a href=\"http:\/\/journals.openedition.org\/rge\/1165\" target=\"_blank\" rel=\"noopener noreferrer\"><u>http:\/\/journals.openedition.org\/rge\/1165<\/u><\/a>).<br>\nMarie LAVOIE, &laquo; Les enjeux de la patrimonialisation dans la gestion du d&eacute;veloppement &eacute;conomique : un cadre conceptuel &raquo;, dans <em>Soci&eacute;t&eacute;s<\/em>, 2014\/3 (n&deg; 125), p. 137-151. (URL consult&eacute;e le 14\/08\/2019 : <a href=\"https:\/\/www.cairn.info\/revue-societes-2014-3-page-137.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><u>https:\/\/www.cairn.info\/revue-societes-2014-3-page-137.htm<\/u><\/a>)<br>\nFran&ccedil;oise LEMPEREUR, &laquo; La transmission et la diffusion du patrimoine scientifique immat&eacute;riel : &Eacute;tat des lieux et perspectives &raquo;, dans : <em>Culture &amp; Mus&eacute;es<\/em>, n&deg;24, 2014. <em>D&eacute;mocratisation culturelle et num&eacute;rique<\/em>, sous la direction de Damien Malinas. pp. 127-132<br>\nMargaret MANALE (dir.), <em>Le patrimoine industriel : Entre m&eacute;moire des lieux et marketing de la m&eacute;moire<\/em>, Paris, L&rsquo;Harmattan, coll. &laquo; L&rsquo;homme et la soci&eacute;t&eacute; &raquo;, 2014.<br>\nOph&eacute;lie SIMEON, &laquo; Quel patrimoine industriel pour quelle vision de l&rsquo;histoire ? Le cas de la Grande-Bretagne &raquo;, dans <em>L&rsquo;Homme &amp; la Soci&eacute;t&eacute;<\/em>, 2014\/2 (n&deg; 192), p. 15-30. (URL consult&eacute;e le 14\/08\/2019 : <a href=\"https:\/\/www.cairn.info\/revue-l-homme-et-la-societe-2014-2-page-15.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><u>https:\/\/www.cairn.info\/revue-l-homme-et-la-societe-2014-2-page-15.htm<\/u><\/a>).<br>\nC&eacute;cile TARDY et Vera DOBEBEI (dir.), <em>M&eacute;moire et nouveaux patrimoines<\/em>, Marseille, OpenEdition Press, 2015.<br>\nUNESCO, <em>Le Pouvoir de la Culture pour le d&eacute;veloppement<\/em>, 2010. Disponible au format PDF sur le site UNESDOC de l&rsquo;UNESCO. (URL consult&eacute;e le 15\/08\/2019 : <a href=\"https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000189382_fre\" target=\"_blank\" rel=\"noopener noreferrer\"><u>https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000189382_fre<\/u><\/a>).<\/p>\n<h1>M&eacute;thodologie Recherche-Cr&eacute;ation<\/h1>\n<p>Catherine CHOMARAT-RUIZ (dir.), <em>De l&rsquo;atelier au labo: Inventer la recherche en art et design<\/em>, Paris, Hermann, 2018.<br>\nGrazia GIACCO, <em>Recherche-cr&eacute;ation et didactique de la cr&eacute;ation artistique : Le chercheur travaill&eacute; par la cr&eacute;ation<\/em>, Louvain, Editions EME, coll. &laquo; CREArTE &raquo;, 2018.<br>\nGrazia GIACCO, John DIDIER et Francesco SPAMPINATO, <em>Didactique de la cr&eacute;ation artistique &ndash; Approches et perspectives de recherche<\/em>, Louvain, Editions EME, coll. &laquo; CREArTE &raquo;, 2017.<br>\nPierre GOSSELIN et Eric LE COGUIEC, <em>La recherche cr&eacute;ation : Pour une compr&eacute;hension de la recherche en pratique artistique<\/em>, Qu&eacute;bec, Presses de l&rsquo;Universit&eacute; du Qu&eacute;bec, 2006.<\/p>","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Temps de lecture&nbsp;: <\/span> <span class=\"rt-time\"> 10<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span>&nbsp; (Lien : https:\/\/youtu.be\/ujzDvFiaKuc) (Lien : https:\/\/www.youtube.com\/watch?v=MhXCgqNNhXo) Steampunk et <a class=\"glossaryLink\" aria-describedby=\"tt\" data-cmtooltip=\"&lt;div class=glossaryItemTitle&gt;R&eacute;trofuturisme&lt;\/div&gt;&lt;div class=glossaryItemBody&gt;&amp;lt;!-- wp:tadv\/classic-paragraph --&amp;gt;Le r&eacute;trofuturisme est une d&eacute;marche artistique et culturelle qui imagine ou r&eacute;imagine comment le pass&eacute; aurait envisag&eacute; le futur. Il m&eacute;lange des &eacute;l&eacute;ments de styles anciens, comme ceux de l&amp;#039;&eacute;poque victorienne ou des ann&eacute;es 1950, avec des technologies du pr&eacute;sent ou futuristes, cr&eacute;ant un contraste anachronique entre les &eacute;poques. Le r&eacute;trofuturisme se manifeste dans la mode, le design, la litt&eacute;rature, et d&amp;#039;autres formes d&amp;#039;art, en explorant des mondes o&ugrave; le futur est imagin&eacute; &agrave; travers le prisme du pass&eacute;. C&amp;#039;est par exemple le cas dans l&amp;#039;imaginaire Steampunk qui est r&eacute;trofuturiste.&amp;lt;br\/&amp;gt;&amp;lt;!-- \/wp:tadv\/classic-paragraph --&amp;gt;&lt;\/div&gt;\" href=\"https:\/\/www.studinano.com\/blog\/glossary\/retrofuturisme\/\" data-gt-translate-attributes='[{\"attribute\":\"data-cmtooltip\", \"format\":\"html\"}]' tabindex=\"0\" role=\"link\">R&eacute;trofuturisme<\/a>(s) Etienne BARILLIER, Arthur MORGAN, Le Guide Steampunk, Paris, ActuSF, coll. &laquo; Les trois souhaits &raquo;, 2013. &Eacute;tienne BARILLIER et Rapha&euml;l COLSON, Tout le Steampunk !, Mont&eacute;limar, Les Moutons Electriques, 2014. C&eacute;dric CARLES, Thomas ORTIZ et Eric DUSSERT, R&eacute;trofutur, Une contre-histoire des innovations &eacute;nerg&eacute;tiques, Paris, Buchet\/Chastel, [&hellip;]<\/p>","protected":false},"author":1,"featured_media":7401,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-7399","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bibliographie - Steampunk en Hauts-de-France : Raconter notre patrimoine industriel [Th\u00e8se en cours, Caroline Soreau, UPHF] - Studinano, le blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studinano.com\/blog\/bibliographie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliographie - Steampunk en Hauts-de-France : Raconter notre patrimoine industriel [Th\u00e8se en cours, Caroline Soreau, UPHF] - Studinano, le blog\" \/>\n<meta property=\"og:description\" content=\"Temps de lecture&nbsp;:  10 minutes&nbsp; (Lien : https:\/\/youtu.be\/ujzDvFiaKuc) (Lien : https:\/\/www.youtube.com\/watch?v=MhXCgqNNhXo) Steampunk et R&eacute;trofuturisme(s) Etienne BARILLIER, Arthur MORGAN, Le Guide Steampunk, Paris, ActuSF, coll. &laquo; Les trois souhaits &raquo;, 2013. &Eacute;tienne BARILLIER et Rapha&euml;l COLSON, Tout le Steampunk !, Mont&eacute;limar, Les Moutons Electriques, 2014. 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